Response to idpol defenses of shitty painting.

Comment that became a post. Deal with it.

Topic: People who like naked marble statues better than ineptly painted yard gnomes are apparently racist.

TLDR: If the paint is unknown apart from the painting existing and some basic colors, simply put that in the signage below. “These statues not originally bare, but the quality of paint work has been lost to time. Current appearance is the result of weathering.” Boom problem solved, oh but wait, gotta scold white people with every third breath because our lord thy IDPOL is a jealous God.

The core problem with the main video, (complaining about greek statues and white people which I won’t link because fuck him) which I haven’t seen till now is conflating poor painting with ANY painting. Imagine an actual artist painting these statues, with shading, and shadows and such, actual art skills, as opposed to what looks like a lawn gnome made in china.

Statue as canvas for real art was probably magnificent. The idea that they would employ the world’s best sculptors to fabricate statues for a child’s finger painting class is absurd, and it’s doubly absurd to try and make it a racism thing. Sometimes less is more.

Sorry the paint’s gone but tough shit. The lady’s arms are gone too, would it be a slander on the disabled to consider putting them back for accuracy? Is repainting them with any quality an assault on the blind and color blind? Sometimes a cigar is just a cigar.

And wake me when someone with applicable high level skill tries one of these restoration projects. (Will edit/delete if this is covered later in the video, had to stop and comment because hard to watch. Real tired of perpetually being called a racist for being born the wrong race.)

P.S. Ramses was a fucking ginger. It’s not like this part of the world lacked pale people, and as demonstrated by Ramses, even the desert occasionally put pale people in charge, also, the facial structures look very western European. It’s not just about the paint. If white people are so oppressive and evil, is it really so shocking to imagine them being so in the ancient world too? Did the ancient world not have its pasty bezos analogs?

IMO the real problem here is assuming ancient people were inept just because they were ancient and blaming racism instead. Look how they sculpted. They knew how to do art. Calling objection to our shitty paint by numbers attempts to colorize the statues racism or unscientific is complete bullshit.

Just image search “amazing cosmetic illusions” for some idea of what can be accomplished by a REAL artist on a 3d humanoid surface. The rush to call everything racist is racist too. And pretending museums are bastions of objectivity where you’re not allowed to use shading is horse shit.

The entire point of a museum is a public attraction, not a scholarly convention or paper. Even lighting and choice of exhibit contains artistic interpretation and bias. Seems to me you want people to feel guilty about hating those god awful paint jobs just because you want people to feel guilty for being white (or like race traitors for having taste. In short everyone who doesn’t agree with you must suck.)

(Whining that no one complains about hieroglyphs.) The Egyptians’ paintings weren’t paintings usually, they were (diagrams) 2D language text. You don’t use shading on actual utilitarian signage. Coloring book tier in that context is orders of mag closer to actual values than finger-paint statues, also, we have actual preserved indoor Egyptian work to work From. God this video is disappointing. It’s like some kind of law, given enough time every youtuber becomes an idpol partisan hack.

Also, bronze is brown. That’s the entire reason no one cares in that context. It can’t be spun into the white people should be gassed for fairness narrative. And it also doesn’t work as a diversity virtue signal either because no one can plausibly say they were made brown for racial reasons, like how they can say keeping them white is racist.

Did they paint the top tier bronze ones like kindergartners too? Bronze is a gorgeous metal, especially when polished and maintained. IMO it would take Serious artistic chops to beat it with paint. And I’m not gonna assume the ancients had no taste. So even if they did paint bronze I doubt they would look like a finger painting.

And saying they Should look like finger paintings as opposed to blank, because we don’t know what they looked like, is absurd. Firstly, science starts from being ok with saying “I don’t know yet, let’s leave it blank till we have a better idea.” (Better being the key word.) Maybe in the future some deeper analysis will reveal shading.

Second. No one’s putting stucco on the fucking Sphinx/pyramids. We know it they didn’t originally look like a lumpy sand castle. It’s not somehow racist to leave it that way. Not every piece of history needs the “based on a true story” treatment.

Dipping them a bird bath enamel also obscures sculpture detail. They would look a thousand times better shaded with some kind of (yes earth tones) chalk. But no, I’m a racist for saying that.

Open Letter to Wikipedia: No More Money

I will no longer donate to you Wikipedia. You’ve become a political tool.

Take a long hard look at this page: https://en.wikipedia.org/wiki/Talk:Jimmy_Dore The most recent in a long line of politically motivated sacrifices of fact.

Facts and popular opinion are not always the same, and you’re supposed to be impartial. Reality is not a popularity contest. This is emblematic of an endemic problem. Your systematic avoidance of uncomfortable facts makes your version of reality sanitized to the point of harmful revisitionst history and outright propaganda. There are thousands of such articles that fall into this category.

Your response to Dore’s article is just the final example. The very fact that it’s pointless to tell you about some of the others because you’ll do what you want regardless and I have no recourse but to complain and keep my money, is another reason I will no longer donate.

Wiki, like so many other huge Internet systems, should be converted into a public utility. You’re a library in effect, and should not be subject to autocratic rule. You’ve been captured by the current ruling powers. You’re merely state media now, with none of the theoretical accountability that traditionally comes with being part of the state.

You will no longer be receiving funds from me. And I encourage all donors to withhold funds until such time that Wikipedia becomes a bastion of true impartiality as opposed to its facade, or fades from history.

Monotropic Autism: Deeper Grooves

Personal selections from this outstanding article:

https://thepsychologist.bps.org.uk/volume-32/august-2019/me-and-monotropism-unified-theory-autism

Autism is still widely seen as mysterious, but it isn’t anymore. Monotropism is the answer. Gonna copy and paste the core bits for the TLDR crowd.

When your theory only partially explains the phenomena being examined, you should keep looking for a better theory. When there are persistent threads left unexplained  – such as the sensory differences so common among autistic people  –  you really need a more complete framework”

In a nutshell, monotropism is the tendency for our interests to pull us in more strongly than most people. It rests on a model of the mind as an ‘interest system’: we are all interested in many things, and our interests help direct our attention. Different interests are salient at different times. In a monotropic mind, fewer interests tend to be aroused at any time, and they attract more of our processing resources, making it harder to deal with things outside of our current attention tunnel.”

“This tendency follows naturally from monotropism. Whatever interest is most aroused in a monotropic mind tends to pull in a whole load of processing resources. That naturally makes it harder to change track, especially when you understand that the paths of our thoughts always leave an imprint in our minds, and autistic ones leave deeper grooves than they might in the average mind.”

“There is likely a developmental aspect to this: neural pathways that receive a lot of stimulation grow stronger, so perhaps autistic people are prone to long-term hyper-sensitivity in senses receiving intense attention, and under-sensitivity in channels we regularly tune out.”

“Interests are at the heart of the monotropism account, and have been present in characterizations of autism right from the start. Their near-absence from the more established theories of autism, and indeed the entire psychological literature on autism, is glaring.”

“Everyone’s passions are repetitive; that’s just in the nature of strong interests. When people talk about ‘restricted interests’ what they mostly seem to mean is that they can’t fathom our failure to be interested in things that seem important to them.”

“What is true is that our interests pull us in very strongly and persistently, compared with most people. It can be hard to think about anything else when we’re particularly invested in a topic, and hard to imagine how little other people might care about it. That can be a huge asset in many fields  –  intense focus is indispensible in science, maths, technology, music, art and philosophy, among others. Obviously autistic people are not the only ones capable of hyperfocus and persistent interests, but it is a common feature of the autistic psyche, and one that is too often squandered when workplaces and schools are not set up to allow it.”

The biggest practical thing to take away from this is the importance of meeting the child, or adult, where they are. This is not an insight unique to the monotropism perspective, but nothing else I’ve seen demonstrates with such clarity why it’s so crucial. Treat interests as something to work with. Recognise what someone’s passionate about and learn how to become part of the attention tunnels which come with monotropic focus, rather than trying to just reach in and pull the person out of the flow states that are so important to us. Never pathologise ‘special interests’, and don’t assume that autistic interests are ‘restricted’  – there are plenty of ways to get us interested in new things, it’s just that they mostly involve taking existing interests and building on them.”

“Stability is a basic human need, and life as a monotropic person in a polytropic world is often unstable. It is deeply destabilising to be pulled out of an attention tunnel, to be regularly surprised by people’s actions, or to feel you are not being understood. Much of autistic behaviour can be seen as attempts to restore some kind of equilibrium.”

Helping autistic people to maintain a sense of stability should be a priority for those around them. It’s widely understood that routines can often help autistic people, but I’m not sure it’s widely understood why. A lot of it is about minimising mental load: taking out things that we have to think about, so that we can maintain focus. Another big part of it is that changing plans involves such a mental shift that it’s exhausting. The ability to feel in control is central to all of this, and externally imposed routines sometimes backfire for that reason. Frustrations and anxiety about control can manifest in demand avoidance, meltdowns and shutdowns at times.”

“Different experiences in youth and throughout life, and particularly the different choices we make about where to focus our attention, are likely to account for a good chunk of the diversity of ways that autism can present.”

So yeah. I copy and pasted a lot, but I left a lot out. These are the bits that really resonated with me, and I resisted the urge to rewrite, add, and such because I wanted to keep this as brief as possible. If you want more, check out the link at the top.

See also:

https://www.traumageek.com/polyvagal-neurodiversity-blog-project/autistic-traits-and-trauma

The ghost plague dream

I dreamt I was a Canadian diplomat in a Slavic country at the start of a ghost possession plague

It moved like slow purple lightning across the body starting at the hands like plasma filaments and stigmata

It turned the blood clear with a heavy translucent purple layer at the bottom of any sample

Some balding serious intelligence official with a walking stick asked me if there was a cure, and I said I don’t see how there possibly could be. And he the nodded and left the room

Then the guy I was there to meet said I got a pouch from the mansion, which I knew meant the Canadian embassy

I said “I’ll bet I did” like well no shit

The pouch was a box that had leftovers from a famous local mill fire and a tape recorder

When I opened it it smelled like fire and cooked meat, and the tape had like ghost recordings, classified proof, they were the ghosts doing the plague

It was beautiful and like white at the tips

And blue at the base and it opened into like spokes or roots at skin level

The closer to skin the more white

Purple as it extended

The end